Bathroom Stall Series, #8
Not sure where exactly to locate the tragedy in this particular installment of the Bathroom Stall Series. This was taken in the humanities building bathroom at SF State, which means this girl is probably in her 20s, and is probably pretty torn up about her boyfriend's actual sexuality. I glean all this from the elegantly long downward curve of her frowny-face.
What perhaps is more tragic are the attempts to assuage her feelings of sadness and remorse: "He's confused" counters nicely to "Woo! Fag hag!" I wonder what it feels like to be stuck between two polarizing reactions. It's as if our culture still doesn't know how to approach the complex nature of adolescent sexuality. I mean, we really must not be ready to talk about it, otherwise we wouldn't write about it on bathroom walls.
All About Evil, San Francisco Style
And now, for my latest love letter to San Francisco, I invite you in to the Victoria Theater, the historic Mission theater that has been around more than 100 years. This weekend I had my first opportunity to walk inside its handsome doors, when I went to see All About Evil, the campy slasher flick directed by notable SF drag queen Peaches Christ. The show was marketed as a "4-D experience" not only because Peaches had organized an entire pre-film performance, complete with choreographed monster dances and movie-specific ballads, but also because the film itself was shot in the theater, and all of the gory scenes took place in our very seats. The fabulous SF-based performer Trixxie Carr introduced the show by belting out some impressive ballads while dressed as the film's main character, the diabolical Deborah Tennis (pronounced "de-BOR-ah ten-ISE"). I might go even as far to say that the lovely Ms. Carr would have been just as excellent cast in the film itself--maybe in the sequel? The film also highlighted classic actresses from John-Waters-era camp and gore such as Mink Stole and Cassandra Peterson (a.k.a. Elvira).
I'll be the first to admit that my tolerance for gore is low at best, but perhaps what made this experience so awesome was that the cast and crew were so committed to its campiness, so utterly loyal to an artistic vision that constituted a tribute to slasher films past, that it was hard not to get swept into the visceral excitement in the room. Besides, there's really now way to avoid giddiness when one is just two rows away from the sheer glamor of tangoing zombies and arrogant murderesses in period costume. Add to that the a palpable sense of suspense when we, as an entire theater full of people, collectively realized that the room in which we were very sitting, with its victorian air and old-fashioned decor, was as real a character in the film as the evil twin girls or the naive theatergoers who break Deborah's rules.
I was amazed by the artistry and impressed by the scale of the production, which has been on the road for several weeks now. But perhaps more than anything I was moved by the sense of community that linked all of these performers together. After the first set had finished, Peaches introduced all of the dancers by their stage names, and pointed out who had written the lyrics and who had choreographed the steps, who had put in extra time in the art department and who had helped with costumes. It was a true collaborative effort, and it was as fun to see them acknowledged, and the pleasure that gave them, as it was to see them perform.
The alchemy of that show was heightened by the fact that we got to see it where we did, in a beautiful theater just a week before Halloween in the best city in the world.
San Francisco, I'm so not over you yet.
Ligre Returns
Rocking, Rolling, Running, & Curing
This weekend I plan to run my first ever half-marathon. I've been training for the past ten weeks with a running group here in Davis. Grad school started this week, as did my new job, and somehow this race has crept up on me. I will be running on the same day as the JDRF Walk to Cure Diabetes, which is no small coincidence. In these last few days before the event, I can't help thinking what a tremendous symbol this has all become.
Running has always been my catharsis, my time to zone out and turn off my brain, to challenge my body while nobody else is looking. There's no way to be "good" at running; the most successful runners I've met are the ones with a keen understanding of how to push themselves, and when it is appropriate to. I'm still working on that second part.
When I run in a group, I sense gears shifting in my body, and suddenly there is something to prove. The person just in front of me becomes the person I most desperately want to beat, and once I beat them, there is always someone else. I run with a little fanny pack with my blood sugar monitor, insulin pump, and three or four packs of GU. The part of the run I relish the most happens after we're all done, after the other runners have stopped to chat or refill their water bottles, when I sit down and whip out my glucose monitor to test my sugar. I take great pride -- probably (definitely) more pride than I truly deserve -- in watching the recognition register on someone else's face that, holy shit, she beat me, AND she's diabetic?
Hell yeah.
I might be feeling differently on Sunday afternoon, after 13.1 miles in this late summer heat. But no matter what, I can't wait for that feeling of satisfaction that I will have done something I've never done before, and done it on a day when my team and I are committed to finding a cure.
Adventures of the Bookmaiden
If I owned my own bookstore, all clerks would be called bookmaidens and book lords. Or maybe book queens. Tomorrow is my last day at the independent bookstore the Avid Reader, my favorite place to go as a child growing up in Davis. I've been lucky enough to work there in the summer interim, assembling press scrapbooks, selling and shelving books, assisting at events. There is something to be said for the loyalty and chutzpa that independent businesses attract.
That, and I learned this summer not to operate a cash register with my hair in two braids, less I feel like fending off comments such as "You're sure you're old enough to operate that?"
Bookmaidens can do a hell whole of a lot more than just operate cash registers.
Team Malibu Pumpers Wants YOU
School is starting, the wind is picking up, and there is a heightened electricity in the air: that's right, it's the season for fundraising. This is the ninth year that my family and I are gearing up to raise money for the Juvenile Diabetes Research Foundation (JDRF), a nonprofit organization founded by the parents of children with type 1 diabetes in 1970. In the past 40 years, JDRF has raised $1.4 billion, and nearly every penny of that is devoted to research.
Why should people care? Here's why:
-More than 23 million Americans live with diabetes, and of that number, about 5-10% live with type 1, insulin-dependent diabetes. This less common form of diabetes was formerly known as juvenile diabetes, because the majority of people who live with it are diagnosed as young children or adolescents. This means that type 1 kids and teens are badasses because they have to learn how to test their blood sugar and give themselves injections while learning how to tie their shoes, ride bikes, compete at sports, apply for college, etc.
-Diabetes is considered a pre-existing condition, which, as we all know, makes applying for health insurance especially frustrating.
-Because Halle Berry, Nick Jonas, Mary Tyler Moore, and certain twentysomething bloggers take insulin every day, and still make time to make movies, sing songs, write books, and in my case, go to grad school and work two jobs.
This year, while my uber-supportive Team Malibu Pumpers represents at the 5K walk at the State Capitol on Sunday, October 3, I will be running my first-ever half marathon. This is something I've wanted to do for three years, ever since I got my worst blood test results as a diabetic and felt the need to prove I was still healthy. I've been training over the past few months and am excited to finally put myself to the test. And while other people might run this race for time or place, I'll be running it to prove I can do it and not get low.
So, what can you do? You can make a tax-deductible donation for our team here. You can visit JDRF online and sign up for a corresponding walk in another city. Or, if you don't have the money this time but really want to show support, you can learn the differences between type 1 and type 2 diabetes and explain it to the next person who asks. Believe you me, it'll be a relief for the rest of us who grow tired when unsuspecting strangers relate long stories about their grandparents with gangrene feet.
Thanks for reading, and thanks for your support.
What You Can Get for Four Quarters in Meridian, Mississippi
This was my one and only impression of Mississippi this summer: condom dispensers in gas station bathrooms. The text on the machines read "Hygeia helps protect against AIDS and other sexually-transmitted infections. However, the best way to avoid AIDS is to practice abstinence, and to remain in monogamous relationships until marriage."
I added the "sexless" part. The sign seemed to hope that gas station patrons were virgins.
Below the text were arrows and explicit instructions reading put all four quarters into the appropriate slot.
I'll never forget emerging from that bathroom with a sense of glee, not sure whether Mississippi was beating the system or creating it. Ryan reported that the same sign and machine was posted in the men's bathroom.
Needless to say, we did not spend the night in Mississippi.
In Honor of My Other Love, San Francisco
Hipster Parking Only
Remember when a bicycle was just a bike? A means of transportation? Not sure I do either, but these days the streets of big cities are paved with fancy fixed-gear bicycles, a.k.a. the Maseratis of the cycling world. Or maybe the Ferraris? I know my speedy cars about as well as I know my speedy bikes, and perhaps that says something.
Don't get me wrong: My preferred transit method is my bike. I was a diligent San Francisco bike commuter for three years, a beach bum Santa Barbara biker in college, and a perpetually-late-for-class cycling high schooler back in the day. I respect the two wheels. I rely on them. I admire the pelotons that whoosh past me when I go running in West Davis, the ones who yell "Incoming!" loud enough to overpower any functional woman's iPod, and then squeeze by you with thighs that seem to laugh at you with their sheer force. I, at one time, wove blue streamers through my bike wheels so I could participate in the Picnic Day Parade. I joined the San Francisco Bicycle Coalition and volunteered at the summertime Phat Tire event. I've done my fair share of critical masses, and boy, there are few things more exhilarating then tearing through the Sutter tunnel at rush hour on a Friday, surrounded by a few hundred likewise giddy cyclists who, on a normal day, would never dream of zipping through MUNI and commute traffic for that kind of adrenaline rush.
The real issue I see with cycling today isn't the bicycle itself, nor really the people who use it to commute or to exercise, but the general aura of ennui that it seems to breed among the young and oh-so-hip. That really annoying way that fixie riders tend to jerk abruptly from side to side to effect a brake. And, finally, the fashion choices that cycling sometimes inspires. I've got no problem with spandex and padded shorts--if anything, the world needs more of both--but what I'm referring to here is the skinny jeans phenomena. Skinny jeans and skinny mustaches.
I'd like to close this on a happy note, so I'm enclosing a picture of two bicycles dear to my heart. I'd like to think that this picture captures the reasons I bike: to get somewhere, to exercise, and to bike with people who likewise like to bike.
Operation Iraqi...Freedom?
I'm glad to hear that the war is "over," and that we as a nation are finally withdrawing ourselves from a mission that, at its heart, was always controversial. Even if, on the odd chance that former President George W. Bush had truly altruistic intentions in invading Iraq back in March 2003, and even if, by some bizarre miracle, our soldiers could bypass cultural and linguistic barriers to bestow the magic that is "freedom" upon a country with whom we have never had stellar relations, it would still seem naive to think that we could sprinkle liberty like fairy dust, and that after seven years of intense fighting and messy political reorganization, that would be that. I'm not sure what I find more depressing: the fact that we truly believed we could force our vision of freedom on another country by invading it, or the fact that, after expending so much energy and so many people, we are retreating and leaving the people we've invaded to pick up the leftover pieces.
I have respect for the military and all that our soldiers (and those in other countries) sacrifice in order to maintain a sense of patriotic idealism. I don't doubt that there are people out there, both alive and dead, whose efforts abroad were just that--an expression of real, honest, unselfish work--people who have accomplished things I'd never be capable of doing. I know that many of the soldiers who volunteered in this war began their service with a certain understanding of their mission and what they would later get for it, and for many of them, especially those serving in 2004 and 2005, their commitment to their country and to their job was tested by multiple deployments and several months away from their families and lives. I can't imagine making such an important and ultimately selfless decision. And because I can't imagine this, it makes it doubly hard to think of all those who left in 2003 thinking that they were out to achieve something truly great, and that our actions in Iraq would make the world better.
I have no idea what we accomplished and what we sacrificed, but I am relieved to hear that our remaining troops will be coming home over the next year. In my mind, the true measure of our success abroad won't be something as vague and ambiguous as how "free" people feel, but in how we decide to define freedom ourselves, and in what circumstances we are obligated or even permitted to enforce our ideas elsewhere.
I'll close with this image, taken February 15, 2003, in Rome. I remember the newspapers that week were filled with images of people protesting worldwide. I remember being a freshman in college and going to weekly protests in Santa Barbara for more than six months. We thought we were making a statement. I have to wonder, now, what kind of statement we have made.
What Professionals Look Like
Bathroom Stall Series, #7
Why are there so many stupid people in COLLEGE?
I find this rather tragic. Is stupid relative? Is college relative? Do stupid people read the writing on the bathroom wall? Or defend it?
Perhaps what's saddest about this one isn't the sheer existence of stupidity on campus, but rather the realization that there are stupid people everywhere. The world's full of them, and at some point we all recognize that there's no one magical place to be, no one magical thing to study, no one magical job to have. And maybe, the day we realize this, we'll be doing our business on a public toilet, as this young lady has here.
And for the record, I'm not really such a fan of the word "stupid." I overheard a comedian on the Sound of Young America say that hearing his work described as "silly" or "dumb" actually was a compliment, because it was the silliest ideas that he enjoyed pursuing. "Stupid" implies not only ignorance, but willed ignorance, something far more dangerous than simple immaturity.
Personally, I like the silly and goofy on my campus, and don't mind the stupid, as long as it's debated on bathroom stall walls.