Loveloaf

My fellow waiters.

Remember these names. Top row, left to right: Margaret Ross, Celia Bell, Lydia Davis, Kai Carlson-Wee, Jessamine Chan, Keith Wilson, Mario Ariza, Nina Emery, me, Sally Wen Mao. Middle row, left to right: Bryan Castille, Brian Simoneau, Jaquira Diaz,…

Remember these names. 

Top row, left to right: Margaret Ross, Celia Bell, Lydia Davis, Kai Carlson-Wee, Jessamine Chan, Keith Wilson, Mario Ariza, Nina Emery, me, Sally Wen Mao. 

Middle row, left to right: Bryan Castille, Brian Simoneau, Jaquira Diaz, Jonterri Gadson, Julia Yost, Conor Burke, Nathan McClain, Casey Quinn, Alexander Lumans, Keith Leonard, Chaney Kwak.

Bottom row, left to right: Beth Lyons, Jesse Donaldson, Lauren Johnson (Kay Halloran), Michelle Penaloza, Nicholas Boggs, Solmaz Sharif.

Love letter to writing camp

Last night I couldn't sleep. Bread Loaf has infiltrated my brain. Brain Loaf. I close my eyes and hope that when I open them, the world will be green with the sound of summer cicadas. I half expect Charlie Baxter to hold a pitcher of coffee above my table, snickering as he says, "Sure, you can have some, but it's very dehydrating."  And his stories, his glorious stories, and his wisdom, and his humor. And Cheryl Strayed and Ross Gay and Antonya Nelson and Robert Pinsky and Ted Conover and Terrance Hayes and Kristiana Kahakauwila and Jamie Quatro and Carlene Bauer and so many more.

I remember listening to my fellow waiters read aloud, stunned into silence by their talent and clear ambition. I dream of cloth napkins and tiny plates of butter. I hear the bell against the flagpole and the morning dew awakening. I remember those quiet moments when I sneaked down to Otter Creek or wandered down forest trails, listening to the world hum. And playing Frisbee outside the A&W as twilight fell. And swimming across Lake Pleiades on a rare afternoon off, watching tadpoles await the growth of their legs.

On the flight to Houston, a Norwegian oil baron asked me what I do, and I told him that I am writing a novel. That's the first time I've ever told a stranger that. The first time I ever said that aloud with the understanding that perhaps this is a thing I can actually do, in time. I was sitting, quite by accident, in first class, and as the waitress brought us glasses of wine that I kept passing them off to him, preferring to watch the clouds growing whiter and brighter outside the window.  By the time we had arrived in Houston, he turned to me and said in all seriousness, "Well, you know, my wife and I know an American writer."

"Really?" I asked. "Who?" 

It took a moment, and then we both laughed. I had my running shoes on and had to sprint to the opposite side of the airport to make my final flight.  It was on that third and final flight, after several hours of traveling and ten days on my feet and in my head, that my throat began to clutch with exhaustion, my legs began to cramp in the chair. My body knew it was time to go home. And when I arrived and Ryan was there waiting, his face eager and full, I knew that though writing camp was over, so many wonderful things had just begun.

 

Writer camp, day four

What I did today:

  • 7:15 am: awoke to shower and dress for breakfast at 7:30 in the dining hall
  • 9 - 10 am: attended Charles Baxter's lecture, "The Request Moment, or 'There's Something I' Want You to Do," in which he illustrated the importance of making demands in fiction and poetry
  • 10 - 10:45 am: printed out stories for workshop and meetings with editors
  • 10:45 - 11 am: snuck in a much-needed nap
  • 11: 15 - 1:30: set the dining room tables, served coffee, and bussed tables for lunch
  • 2:30 - 3:30: attended a publishing panel hosted by a group of literary agents and editors
  • 4:30 - 5:15: attended a reading by Emilia Philips, Terrance Hayes and Lia Purpura
  • 5:30 - 8: set the dining room, waited on and bussed two tables, snuck in a late dinner
  • 8 - 8:20: found time to shower
  • 8:30 - 9:30: attended a reading by Vievee Francis, Anthony Marra and Helena Maria Viramontes
  • 9:30 - 10:30: attended a reading by the Bread Loaf Scholars, a group of emerging writers who were awarded fellowships

I believe that Sunday will be my longest day; I'm set to work breakfast, lunch, and dinner, as well as an hour-long barista shift. I have an informational meeting scheduled with a literary agent and plan to attend a writing class lead by my aforementioned writer-crush Kristiana Kahakauwila. There are also two other readings scheduled and a special talk about submitting to literary magazines. Oh, and a dance. Did I mention that there's an entire population of Bread Loafers who make up the social staff? Apparently they organize and host 45 separate events over the 10 days of the conference--cocktail parties, pizza parties, picnics, dances.

This really is writer camp. 

Day Three

Yesterday the skies opened up in the middle of the afternoon. I had hitched a ride into nearby town of Middlebury to pick up supplies (earplugs, razors, granola bars, wine) and as we were climbing up the narrow curves of these old Vermont roads, the rain thrust itself upon us. It was furious and fast and necessary. A few hours later we were serving our first tables of Bread Loaf writers, taking orders, clearing tables, stopping occasionally when others asked, "Are you fiction? Or poetry?"

Later, after Michael Collier's introductory remarks, we gathered outside the barn, under the stars, and the woods were within arm's reach. After the talk died down, after the acoustics of our dorm had settled into the ground, when the quiet began to settle, so, too, did my bones. Minutes pass differently here; the quality of light, the quality of sound, it all warrants attention. I am surrounded by writers who hop from residency to residency, accomplished poets and essayists and novelists and cartoonists younger than I who have already published books, who don't say that they are Stegner fellows, but they don't have to. I feel like the girl in a high school cafeteria wandering from table to table with her tray, wondering how, exactly, I ended up here, but grateful that there is a seat somewhere for me. Excited to be along for the ride.

This morning when I woke up the sun was already brilliant. For the first time in three days I've taken off my down jacket. The mid-westerners are fine in t-shirts and shawls; last night they laughed when I put away my black jacket in favor of a larger, puffier red one, this one with a hood. "You are from California," they say. I don't mind, especially now that the sun is back, and my body has finally caught up with this time zone.

Perhaps what is the most refreshing about being here is the reminder that pursuing a literary life is not only worthwhile, but important. Or, better yet, possible. I'm using every single one of my available vacation days to be here, and it is absolutely worth it. While I long for the lifestyle that so many of these writers describe--spending their summer months writing upstate, their semesters teaching here and there--I know that there are as many ways to be a writer as there are to write itself.

This morning after breakfast I wandered down to Otter Creek. Who knew there were so many shades of green. That the ground could be so soft underfoot. The kind of quiet that happens here falls lightly. Living in a city, you grow to dread the quiet, because it means something entirely different is happening--some underbelly has been exposed. But out here it brings a peace I haven't felt in some time. The marketer in me wonders if you could bottle it, that feeling. 
But that would defeat its purpose.

I better go. It's nearly time to set up for lunch service. Wish me luck. 

First Day

I think I know what the word "bucolic" means now.  Bucolic means Vermont. Three shades of green woven together across rolling hills. Clouds furrowed deep and white, lilac startling against yellow farmhouses.

I arrived in this morning, after an overnight journey from Northern California to Chicago to Burlington, Vermont, where a friendly taxi driver picked me and another writer up for the hour-long drive to Middlebury College. I'm attending the Bread Loaf Writer's Conference on a work-study scholarship, which means I'm attending Charles Baxter's fiction workshop and meeting writers at all stages of their careers while serving food in the dining hall. And I am here a day early, when the campus is eerily quiet and calm, a summer camp spell waiting to happen. 

I had enough time, between my two layovers and long flights, to steam through Kristiana Kahakauwila's debut collection, This is Paradise. The stories are all set in Hawai'i, very beautifully rendered, featuring a wide range of characters whose relationship with the islands are complicated, emotional and honest. My brother recently moved to Honolulu, with his wife soon to follow, and as someone who likes her stories very firmly steeped in place, the book kept me going from San Jose to LAX to Chicago, even on the tiny express plane that took me here. Word has it the writer herself might be here.

I am already awkward in my fandom, and only a small group of us are here yet. I walked out down a long, pebbly lane, stopping to take pictures of the light on the hills, still not quite awake. When I arrived this morning it was lightly raining, and though raindrops have let up, the air still hangs with heavy anticipation. There are words in the air, waiting for us. Bucolic, they whisper. Pastoral.

We're here, we whisper back. We're ready.